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Mizoguchi has been mentally troubled since he witnessed his motherfs infidelity in the presence of his dying father. Mizoguchi feels utterly abandoned and alone. Until he becomes a priest at Kinka-kuji, a famous Buddhist temple in Kyoto. Failing in his quest to find the warmth of human companionship in the temple, the young man, tormented by the templefs exquisite beauty, decides to destroy himself and all he loves. He feels he cannot live in peace as long as the temple exists. Mizoguchi, like many other troubled Mishimafs heroes, becomes obsessed with unattainable ideals.
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The Temple of the Golden Pavilion reflects Mishimafs preoccupations with beauty and death in a clear and unmistakable manner. It is also an excellent example of a theme that frequently arises in Mishimafs work: the resentment of the object of desire. Because this novel, arguably Mishimafs best, reflects the authorfs suicidal tendencies, it also offers us insight into one of the twentieth centuryfs greatest and most complex literary icons.